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</html><thumbnail_url>https://diariodeestilo.es/wp-content/uploads/2021/04/2168A9DA-CE4B-400A-A29B-71FC68E21722-ROSA-MU&#xD1;OZ-1-1024x984.jpg</thumbnail_url><thumbnail_width>1024</thumbnail_width><thumbnail_height>984</thumbnail_height><description>&#x201C;Marco Polo&nbsp;describes a bridge, stone by stone. But which one is the stone that holds up the bridge? &#x2014;asks&nbsp;Kublai Kan. &#x2014;The bridge is not held up by this stone nor that one &#x2014;responds&nbsp;Marco&#x2014;, but rather by the line of the arch that they form. Kublai&nbsp;keeps quiet, reflecting. Afterwards he adds: &#x2014;Why are you telling me about stones? Only the arch matters to me. Polo&nbsp;responds: &#x2014;Without the stones there is no arch&#x201D;. This is one of the travel stories that&nbsp;Marco Polo&nbsp;tells&nbsp;Kublai Kan, the Emperor of the Tartars (sic), in the beautiful book by &nbsp;Italo Calvino&nbsp;&#x201C;The invisible cities&#x201D;.&nbsp;This melancholic emperor is told by the traveller all about incredible and even impossible cities, all named after women. Until&nbsp;Kublai Kan&nbsp;warns that all of these cities mentioned by Marco Polo&nbsp;are alike,&nbsp;&#x201C;as if moving from one to the other would not [&hellip;]</description></oembed>
