{"version":"1.0","provider_name":"Diario de Estilo","provider_url":"https:\/\/diariodeestilo.es\/en\/","author_name":"BIS","author_url":"https:\/\/diariodeestilo.es\/en\/author\/bis\/","title":"I like the doors by Antonio L\u00f3pez - Diario de Estilo","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JudumHeGVB\"><a href=\"https:\/\/diariodeestilo.es\/en\/2021\/05\/05\/me-gustan-las-puertas-de-antonio-lopez\/\">I like the doors by Antonio L\u00f3pez<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/diariodeestilo.es\/en\/2021\/05\/05\/me-gustan-las-puertas-de-antonio-lopez\/embed\/#?secret=JudumHeGVB\" width=\"600\" height=\"338\" title=\"&#8220;I like the doors by Antonio L\u00f3pez&#8221; &#8212; Diario de Estilo\" data-secret=\"JudumHeGVB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/diariodeestilo.es\/wp-content\/uploads\/2021\/05\/cabecera-CATEDRAL-DE-BURGOS-ANTONIO-LOPEZ-1.jpg","thumbnail_width":1003,"thumbnail_height":640,"description":"\u201cIt is enough to introduce a little truth to the lie so that it is not only believable, but irrefutable&#8221;, thinks Tom\u00e1s Nevinson in the last excellent novel by Javier Marias, which I am reading. At this point everyone already knows that the Cathedral of Burgos in July has planned to replace the three doors of its facade of Santa Mar\u00eda, made of wood from the eighteenth century, with other bronze ones by Antonio L\u00f3pez, Prince of Asturias Award of the Arts in 1985, to celebrate its 800th anniversary. This slight intervention in our 21st century, of reversible character, follows the tradition of performances throughout its history, from the artistic sensitivities of each era, which have given the cathedral its undeniable historical and half-breed profile, as something alive and reflection of time, so frequent in [&hellip;]"}