{"id":42133,"date":"2021-02-12T00:01:08","date_gmt":"2021-02-11T22:01:08","guid":{"rendered":"https:\/\/diariodeestilo.es\/?p=42133"},"modified":"2021-02-12T08:34:58","modified_gmt":"2021-02-12T07:34:58","slug":"en-el-almacen-de-may-more","status":"publish","type":"post","link":"https:\/\/diariodeestilo.es\/en\/2021\/02\/12\/en-el-almacen-de-may-more\/","title":{"rendered":"In May Mor\u00e9\u2019s warehouse"},"content":{"rendered":"\n
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MAY MOR\u00c9.<\/figcaption><\/figure>\n\n\n\n

I confess that, when I visit art galleries, my eyes are easily diverted towards the door to the warehouse, which is sometimes ajar, where I imagine brand new works of art or ones awaiting a second wind, and even the gallery owner\u2019s favourites. That may be where I unwittingly look for it, and that is how it has turned out at times. So why not turn the warehouse into a gallery? That what decided by May Mor\u00e9<\/a><\/strong>.  Now there\u2019s no longer any need to look through any doors: it\u2019s as if you were at home, with everything in your reach, and the search turns out to be more natural. On 50 General Pardi\u00f1as, Madrid.<\/p>\n\n\n\n

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NURIA VIDAL, acr\u00edlico \/ lienzo. Universo vaporoso, \u00edntimo y po\u00e9tico. <\/figcaption><\/figure>\n\n\n\n

But the news is that today this warehouse is going to have akind of extension on Diario de Estilo<\/strong>.<\/em> May Mor\u00e9<\/strong> has taken up the offer to collaborate with us by lending her well-qualified insight into the latest art news in our Lifestyle\/Art&Culture space, thus continuing her efforts to promote artwork by contemporary artists from every sector (paintings, sculptures, photography, buildings…). Madrid has brilliantly paved the way for female gallery owners like Soledad Lorenzo, Helga de Alvear, Juana de Aizpuru<\/strong>… May Mor\u00e9<\/strong> is the present for this history of prestige and it is an honour for us to have the opportunity to work with her.<\/p>\n\n\n\n

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ROSA MU\u00d1OZ, impresi\u00f3n sobre lienzo resinado. Fotograf\u00edas convertidas en esculturas.<\/figcaption><\/figure>\n\n\n\n
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SERGIO BARRERA, t\u00e9cnica mixta \/ lienzo. Opaco y trasl\u00facido, luces y sombras.<\/figcaption><\/figure>\n\n\n\n

\u201cI am mainly guided by my intuition; my passion for art is what drives me, because I cannot support something that I do not believe in\u201d.<\/em> When asking her for a brief exhibition of her experience, she preferred to do it in her own way, with images, with pictures of artwork by artists who she trusts that speak for themselves and outline her career as a gallery owner. And as a collector.<\/p>\n\n\n\n

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TO\u00d1O BARREIRO, acr\u00edlico \/ tela. Rompiendo el marco tradicional.
<\/figcaption><\/figure>\n\n\n\n
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VICTORIA SANTESMASES, \u00f3leo \/ papel entelado. Palabras, surcos, silencio…
<\/figcaption><\/figure>\n\n\n\n
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MARIA ORIZA, gres con \u00f3xidos met\u00e1licos. Esculturas que cambian con la perspectiva del dibujo.
<\/figcaption><\/figure>\n\n\n\n

Ah, May<\/strong> also chose the cover photo. Diario de Estilo<\/strong> likes it.<\/p>\n\n\n\n

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ROSA JUANCO, \u00f3leo \/ lienzo. Plenitud y vac\u00edo.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

I confess that, when I visit art galleries, my eyes are easily diverted towards the door to the warehouse, which is sometimes ajar, where I imagine brand new works of art or ones awaiting a second wind, and even the gallery owner\u2019s favourites. That may be where I unwittingly look for it, and that is how it has turned out at times. So why not turn the warehouse into a gallery? That what decided by May Mor\u00e9.  Now there\u2019s no longer any need to look through any doors: it\u2019s as if you were at home, with everything in your reach, and the search turns out to be more natural. On 50 General Pardi\u00f1as, Madrid. But the news is that today this warehouse is going to have akind of extension on Diario de Estilo. May Mor\u00e9 […]<\/p>\n","protected":false},"author":3,"featured_media":42132,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[236],"tags":[],"yoast_head":"\nIn May Mor\u00e9\u2019s warehouse - Diario de Estilo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diariodeestilo.es\/en\/2021\/02\/12\/en-el-almacen-de-may-more\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In May Mor\u00e9\u2019s warehouse - Diario de Estilo\" \/>\n<meta property=\"og:description\" content=\"I confess that, when I visit art galleries, my eyes are easily diverted towards the door to the warehouse, which is sometimes ajar, where I imagine brand new works of art or ones awaiting a second wind, and even the gallery owner\u2019s favourites. 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